>I linger over books in these pages, reading them through the colophon’s portal
Such a strange line. The colophon is all but meaningless in American publishing today. In Italy, for instance, a reader will know the difference between an Einaudi and and Mondadori and an Adelphi book. In the US, who actually notices a difference between book…
>I linger over books in these pages, reading them through the colophon’s portal
Such a strange line. The colophon is all but meaningless in American publishing today. In Italy, for instance, a reader will know the difference between an Einaudi and and Mondadori and an Adelphi book. In the US, who actually notices a difference between books that are published by Knopf or Penguin or Grand Central, etc.? I'm excited to see what Arcade is doing, carving a path for itself as a publisher of distinctive literary books. Passage is doing the same, in its own way. We'll see what comes of it—there's still the problem that the masses just don't read the way they used to
>I linger over books in these pages, reading them through the colophon’s portal
Such a strange line. The colophon is all but meaningless in American publishing today. In Italy, for instance, a reader will know the difference between an Einaudi and and Mondadori and an Adelphi book. In the US, who actually notices a difference between books that are published by Knopf or Penguin or Grand Central, etc.? I'm excited to see what Arcade is doing, carving a path for itself as a publisher of distinctive literary books. Passage is doing the same, in its own way. We'll see what comes of it—there's still the problem that the masses just don't read the way they used to